"Apart from serving as one of the key inspirations and reference points for Pedro Costa’s digital Portuguese masterpiece Colossal Youth (2006), this unusually expressionistic western by Ford—centered on the trial of a black cavalry officer (Woody Strode) accused of rape and murder, and structured around a good many flashbacks—is especially notable for its very theatrical lighting schemes. But it’s also potent, above all, because of the rare emotion that Strode brings to the title part. The political incorrectness that seems inextricably tied to some of Ford’s finest insights and moments comes to the fore in Strode’s climactic scene at the trial. Even if some other aspects of this film are labored and formulaic, this is a far more plausible attempt by Ford to deal with ethnic persecution and racism than his lamentable Cheyenne Autumn (1964)—which purports to make amends for Ford’s earlier treatment of Native Americans and then ultimately avoids dealing with them at all by treating them like ersatz Holocaust Jews." - Jonathan Rosenbaum
aqui: ten underappreciated John Ford films
Arquivo do blogue
blogues
- A Causa Foi Modificada
- a divina desordem
- A montanha mágica
- A Origem das Espécies
- agrafo
- Ainda não começámos a pensar
- Amarcord
- ana de amsterdam
- Animais Domésticos
- Anotacões de um Cinéfilo
- ARCO Argentina ter plaatse
- As Aranhas
- as invasões bárbaras
- Auto-retrato
- avatares de um desejo
- Bibliotecário de Babel
- Bomba Inteligente
- Caustic Cover Critic
- chanatas
- Ciberescritas
- Complexidade e Contradição
- Complicadíssima Teia
- Da Literatura
- dias felizes
- Disco Duro
- Duelo ao Sol
- e deus criou a mulher
- Esse Cavalheiro
- Estado Civil
- ex-Ivan Nunes
- gravidade intermédia
- Horitzons inesperats
- If Charlie Parker Was a Gunslinger, There'd Be a Whole Lot of Dead Copycats
- Intriga Internacional
- irmaolucia
- Joel Neto
- jugular
- Já Chovem Sapos
- lado “b” da minha mente
- Lei Seca
- Life and Opinions of Offely, Gentleman
- Léxico Familiar
- Margens de erro
- Menina Limão
- Mise en Abyme
- O Acossado
- O Anjo Exterminador
- O ente lectual
- O Falso Culpado
- O Inventor
- O Mundo pelos meus Olhos
- O Novo Selvagem
- o signo do dragão
- Ouriquense
- Pastoral Portuguesa
- Phantom Limb
- Poesia & Lda.
- Provas de Contacto
- Quetzal
- Ricardo Gross
- roda livre
- Sete Sombras
- Shakira Kurosawa
- sinusite crónica
- sound + vision
- State Of Art
- terapia metafísica
- the art of memory
- The Heart Is A Lonely Hunter
- umblogsobrekleist
- vida breve
- vidro duplo
- vontade indómita
- Voz do Deserto
«I always contradict myself»
Richard Burton em Bitter Victory, de Nicholas Ray.